Spectacular make-up was an intricate daily ritual on the set of Apocalypto.
We bring you six pages of remarkable photos and concept art. Plus:
department head Vittorio Sodano’s step-by-step instructions for the
silicone transfer technique used on the film.
Christine Blundell values
eclecticism, and has taken on every kind of make-up and hair challenge
that piqued her interest — from punk rockers to Peter Pan to James Bond.
The Brit alternates big-budget films with small, and frequently works
with unconventional director Mike Leigh. The BAFTA and Oscar winner is
currently thinking sci-fi.
Daniel Parker’s father told him,
“If you go into films, don’t go into make-up.” But Parker did follow in
his father’s footsteps (“Why not one movie?”) and his talent was
confirmed with a BAFTA award. Here, he talks about his father, what
went wrong with Frankenstein, and lessons he’ll teach students at his new school in France. Pros, listen up.
Pati Dubroff creates Oscar
season’s hottest red-carpet looks, and finds L.A. an ideal locale for
her work with A-list actresses. But the native New Yorker has a serious
pedigree: spokesperson for Dior Beauty, and former assistant to the
great Francois Nars. Includes a Q&A with an artist who finds
“timelessness” in making up Hollywood’s girls-of-the-moment.
