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| Web Exclusive: Hellboy 2: The Golden Army, The Chamberlain |
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| Chamberlain underskull fitting with Doug Jones. BELOW: Hiroshi Yada applying the Chamberlain monocle. Cathedral Head (Brian Steele). |
Posted: Tuesday 12 August, 2008 Joe Nazzaro
We had a great response to our story about the make-up work on Hellboy 2: The Golden Army in Issue 73 of Make-Up Artist magazine. So we have added Joe Nazzaro’s additional stories and photos from the film and labs where the film’s many characters were created. Make-up artists working in three different countries collaborated on these creatures—see for yourself!
For writer/director Guillermo del Toro, one of the priorities in creating the world of Hellboy 2 was to populate it with creatures unlike anything seen before in other genre films. Nowhere is that principle more evident than the briefly-glimpsed character of the Chamberlain, created by Spectral Motion surrealist artist/designer Chet Zar. “Guillermo originally gave us some of the parameters,” Zar said, “like he wanted a mechanical mask that was glued around the actor’s own mouth so the actor could use his mouth, but he wanted the rest to be mechanical, everything except the mouth basically, so I just went from there. “I was thinking about something pope-like, but as far as the design, I was just playing with how weird I could make it look within the parameters I was given, so I went for a tall, angular guy with long skinny fingers and a long, narrow flat head; it looks a lot like one of the characters from my paintings, which is probably the first time a director has let me go for it like that.
“The head was glued around actor Doug Jones’ own mouth, so the character has a human mouth, but the head is tall and narrows out as it goes towards the top, so from the shoulder, it starts to slope inwards and gets small and flat at the top. I really didn’t take any of Doug’s features into account as far as designing the head; it was more about how weird I could get it to look, so I was just trying to be as creative as possible and making it fun and cool and something I would like, so that was basically it. “The hands were another parameter that Guillermo had set down, that we should do something weird with mechanical hands and have Doug’s own hands behind his back. Originally we were going to get rid of his own arms digitally and Doug was going to puppeteer it (which he did end up doing), but he was just going to articulate the basic movement of the arms and we were going to get rid of his arms digitally. What we ended up doing was putting his arms way behind his back, because I guess they couldn’t afford the digital removal, so they covered his arms up a little bit. I wanted the Chamberlain’s arms to be too thin to be real so you couldn’t say it was a guy wearing gloves, because they were too skinny and spindly and creepy.”
For Zar, who also built the aptly-named Cathedral Head character, Hellboy 2 was an opportunity to flex his creative muscles in an unusual way. “That’s the way I’d like to keep it,” he said. “I’d rather work on background characters where I have more freedom and they’re a little weirder than a hero character that’s already established. For me, it’s more about the process of making the thing than it is about which billing it gets on the screen.”
Hellboy 2: The Art of the Movie by Dark Horse Books is now on sale.
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Make-Up Artist Magazine Features Michael Jackson Retrospective - Monday 06 July, 2009 |
| Following the recent death of Michael Jackson, Make-Up Artist magazine’s next issue (#79) will feature a retrospective of the King of Pop,
featuring interviews with a number of make-up artists who worked with
Jackson over the past three decades, as well as some exclusive,
never-before-published photos. |
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Web Exclusive: Hellboy 2: The Golden Army, Young Hellboy - Monday 04 August, 2008 |
| From a make-up perspective, the first major character to appear in Hellboy 2 is
a younger version of the hero, seen in a 1955 prologue with Professor
Broom (John Hurt). The Young Hellboy character was created by the
Barcelona-based company DDT Efectos Especiales and played in a
gender-bending twist by the company’s Montse Ribé. |
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Iranian Make-up Innovator Dies at 65 - Wednesday 14 May, 2008 |
| Iranian
movie make-up artist Farhang Moayyeri died May 10 in Tehran of cardiac arrest.
He was 65 and had already fought a long battle with lung cancer, the Iran State
News Agency reported.
Moayyeri
created several make-up designs and prosthetics for Iranian theater, television
and film. He is best known for creating make-up for the films of Bahram Beizai,
Mas'ud Kimiai and other well-known Iranian directors.
According
to the ISNA, Moayyeri was born in 1943 and began his career acting on The
Brick and the Mirror (1965), then tried directing before entering the make-up
industry in 1978. He created the make-up for Bashou, the Little Stranger (1986), Maybe Some Other Time (1988), Killing Mad Dogs (2001) and
other films. Mohsen
Maleki, head of the Iranian Association of Make-Up Designers, expressed sorrow
over Moayyeri’s death and described him as the father of modern Iranian make-up
design. Moayyeri was honored by the association in 2006 for his efforts to train
new generations of artists in Iran's film industry. |
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Wake Up to Make-up! - Thursday 11 December, 2008 |
Australian make-up artist Napoleon Perdis has his own schools, his own cosmetics line, and now, his own reality show: Get Your Face On.
The program, filmed at Perdis’ flagship L.A. store, follows 12 make-up
artists as they vie to become his protégé. The one-hour, 10-episode
show debuted Dec. 8 on the TLC network and is airing every weekday
morning through Dec. 19. We asked Perdis to tell us more.
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